Western comics

Western comics is a comics genre usually depicting the American Old West frontier (usually anywhere west of the Mississippi River) and typically set during the late nineteenth century. The term is generally associated with an American comic books genre published from the late 1940s through the 1950s (though the genre had continuing popularity in Europe, and persists in limited form in American comics today). Western comics of the period typically featured dramatic scripts about cowboys, gunfighters, lawmen, bounty hunters, outlaws, and Native Americans. Accompanying artwork depicted a rural America populated with such iconic images as guns, cowboy hats, vests, horses, saloons, ranches, and deserts, contemporaneous with the setting.

Origins
Western novels, films, and pulp magazines were extremely popular in the United States from the late 1930s to the 1960s.

Western comics first appeared in syndicated newspaper strips in the late 1920s. Harry O'Neill's Young Buffalo Bill (later changed to Buckaroo Bill and then, finally, Broncho Bill), distributed by United Feature Syndicate beginning in 1928, was about a group called The Boy Rangers, and was a pioneering example of the form. Starting in the 1930s, Red Ryder, Little Joe, and King of the Royal Mounted were syndicated in hundreds of newspapers across the United States. Garrett Price's White Boy (later changed to Skull Valley) was another syndicated strip from the 1930s.

The first Western stories to appear in the comics were in the mid-1930s: National Allied's New Fun Comics #1 (Feb. 1935) ran the modern-West feature "Jack Woods" and the Old West feature "Buckskin Jim"; Centaur Publications' The Comics Magazine #1 (May 1936) ran the feature "Captain Bill of the Rangers"; and David McKay Publications's Feature Book #1 (May 1937) and a single issue of King Comics (also 1937) featured King of the Royal Mounted reprints before Dell took over licensing of the character. Dell Comics' The Funnies published a run of short adaptations of B-movie Westerns starting in vol. 2, issue #20 (May 1938). Whitman Comics' Crackajack Funnies ran regular Western features (including Tom Mix stories) beginning with issue #1 in June 1938.

The first stand-alone Western comics titles were published by Centaur Publications. Star Ranger and Western Picture Stories both debuted from the publisher in late 1936, cover-dated Feb. 1937. Star Ranger ran for 12 issues, becoming Cowboy Comics for a couple of issues, and then becoming Star Ranger Funnies. The series ended in October 1939. Western Picture Stories ran four issues in 1937. Dell Comics published Western Action Thrillers #1 shortly thereafter (cover-date Apr. 1937), and began publishing Red Ryder Comics, initially reprinting the long-running comic strip, in 1941.

"Golden Age": 1948–1960
Western comics became popular in the years immediately following World War II, when hip comics readers found crime-busting superheroes in tights and trunks a thing of the past. Adult comics readership had grown during the war years, and returning servicemen wanted subjects other than superheroes in their books. The popularity of the Western genre in comic strips and other media gave birth to Western comics, many of which began being published around 1948.

Most of the larger publishers of the period jumped headfirst into the Western arena during this period, particularly Marvel Comics and its forerunners Timely Comics and Atlas Comics. Kid Colt Outlaw debuted in 1948, running until 1979 (though it was primarily a reprint title after 1967). The company soon established itself as the most prolific publisher of Western comics with other notable long-running titles, including Rawhide Kid, Two-Gun Kid, and Wild Western.

The six-issue 1950 Harvey Comics series Boys' Ranch, by Joe Simon and Jack Kirby, was a seminal example of the Western comics genre. DC Comics published the long-running series All-Star Western and Western Comics. Charlton Comics published Billy the Kid, Cheyenne Kid, Outlaws of the West, Texas Rangers in Action, and the unusual title Black Fury, about a horse that roamed the West righting wrongs. Both Dell Comics and Fawcett Comics published a number of Western titles, including The Lone Ranger (Dell) and Hopalong Cassidy (Fawcett, later continued by DC after Fawcett folded in 1953). Avon Comics published a number of Western comics, the most notable titles being based on historical figures like Jesse James and Wild Bill Hickock. Youthful published the Western titles Gunsmoke, Indian Fighter, and Redskin (later known as Famous Western Badmen). And Toby Press published its own Billy the Kid Adventure Magazine.

Characters
The first Western hero to have his adventures published in the comics was the Masked Raider, published by Timely Comics beginning in 1939. Timely/Atlas/Marvel favored Western characters with the word "Kid" in their name, including the Apache Kid, Kid Colt, the Outlaw Kid, the Rawhide Kid, the Ringo Kid, the Two-Gun Kid, and the Western Kid — as well as the more obscure the Prairie Kid, the Arizona Kid, and the Texas Kid. Other companies followed suit, with DC's Stuff, the Chinatown Kid and the Wyoming Kid, and Charlton Comics' Billy the Kid and the Cheyenne Kid. Black Rider and Phantom Rider were two other Marvel company characters from the genre's peak. Other early DC Comics Western characters included Johnny Thunder, Nighthawk, Pow Wow Smith, Tomahawk, the Trigger Twins, and Vigilante. Dell Comics featured the Lone Ranger, and Dell's Lobo (debuting in 1965) was the medium's first African-American character to headline his own series.

Cowboy actor comics
The years 1946–1949 saw an explosion of titles "starring" Western film actors and cowboy singers. Almost every star, major or minor, had their own title at some point; and almost every publisher got in on the action: Fawcett published Allan Lane, Monte Hale, Gabby Hayes, Lash LaRue, Tex Ritter, and Tom Mix comics; Dell published Gene Autry, Rex Allen, Roy Rogers, and Wild Bill Elliott comics; Magazine Enterprises published Charles Starrett and Tim Holt comics; Toby Press published a John Wayne title; and DC produced short-lived Dale Evans and Jimmy Wakely titles. (Dale Evans and Reno Browne were the only two Western actresses to have comics based on their characters.) Most of the cowboy actor titles featured photo covers of the stars; most series had been canceled by 1957.

Creators
Since Westerns were such a popular genre in the 1950s, many of the period's notable creators spent at least some time doing Western comics.

Writer Paul S. Newman and artist Tom Gill had an 11-year stretch on Dell's The Lone Ranger, a 107-issue run that marks one of the longest of any writer/artist team on a comic-book series. Larry Lieber spent nine years as writer-artist of Marvel's Rawhide Kid. France Herron and Fred Ray were the long-time writer and artist of DC's Tomahawk. Carl Pfeufer was the longtime artist of Fawcett's Tom Mix comics. Artist Fred Guardineer had a long run on Magazine Enterprises' The Durango Kid.

Pete Tumlinson illustrated most of Kid Colt's early stories. Later, Tumlinson drew Western stories for Atlas Comics' Outlaw Fighters, Two-Gun Western, and Wild Western. Russ Heath drew a corral-full of Western stories for such Marvel titles as Wild Western, All Western Winners, Arizona Kid, Black Rider, Western Outlaws, and Reno Browne, Hollywood's Greatest Cowgirl. Vic Carrabotta worked on such Marvel Westerns as Apache Kid, Kid Colt: Outlaw, The Outlaw Kid, and Western Outlaws. Artist John Severin was known for his 1950s Western comics art for Atlas. Artist Mike Sekowsky drew such characters as the Apache Kid, the Black Rider, and Kid Colt for Atlas; he later freelanced for other companies, drawing the TV-series spin-offs Gunsmoke and Buffalo Bill Jr. for Dell Comics.

Artist Rocke Mastroserio specialized in Western stories for such Charlton Comics series as Billy the Kid, Black Fury, Jim Bowie, Rocky Lane's Black Jack, Sheriff of Tombstone, Six-Gun Heroes, Texas Rangers in Action, and Wyatt Earp, Frontier Marshal. Pat Boyette worked on such Charlton Western series as Billy the Kid, Cheyenne Kid, and Outlaws of the West.

1960s decline
The Western genre in general peaked around 1960, largely due to the tremendous number of Westerns on American television. Increasingly, the genre reflected a Romantic view of the American West — and American history in general. As the country grappled with the cultural issues of the 1960s and the Vietnam War, the genre seemed increasingly out of touch.

As the American public's interest in the genre waned, Western literature — including comics — began to lose its appeal as well. At the same time, the comics industry was shifting back to superheroes (entering its "Silver Age") and away from some of the other genres which had flourished during the 1950s. In fact, of the original Western comics series begun in the late 1940s and early 1950s, only a handful of titles survived the 1950s. Charlton's low production costs enabled it to continue producing a number of Western titles, but otherwise Dell's The Lone Ranger, and Marvel's Gunsmoke Western, Kid Colt Outlaw, and Rawhide Kid were the only Western titles to make it through the 1960s.

Gary Friedrich, Mike Esposito, and Ogden Whitney are three of the few notable Western comics creators from the 1960s.

Weird West and continuing appeal
The late 1960s and early 1970s saw the rise of revisionist Western film. Elements include a darker, more cynical tone, with focus on the lawlessness of the time period, favoring realism over romanticism, and an interest in greater historical authenticity. Anti-heroes were common, as were stronger roles for women and more-sympathetic portrayal of Native Americans and Mexicans. The films were often critical of big business, the American government, and masculine figures (including the military and their policies).

Reflecting the trend, in 1968 DC debuted the new character Bat Lash, who starred in a short-lived series. They also revived the All-Star Western title, starting volume two of the series in 1970. In 1972, All-Star Western changed its name to Weird Western Tales, with many stories featuring the newly created Western antihero Jonah Hex (debuting in 1975 in his own title). Weird Western Tales (sister title of Weird War Tales) defined a new multi-genre form: "Weird West," a combination of the Western with another literary genre, usually horror, occult, or fantasy. Other Western characters DC created during this period include the heroes Scalphunter and El Diablo, and the villains El Papagayo, Terra-Man, and Quentin Turnbull.

Marvel also attempted to capitalize on the renewed interest in the Western with two mostly reprint titles, The Mighty Marvel Western (1968–1976) and Western Gunfighters vol. 2 (1970–1975).

The short-lived publisher Skywald Publications attempted a line of Western titles in the early 1970s, but nothing came of it.

Weird Western Tales survived until 1980, and Jonah Hex until 1985. By then no major publishers were producing Western titles, though iconic characters from the DC and Marvel canons would occasionally make cameo appearances in other books.

The DC Comics imprint Vertigo reintroduced the Western genre in 1995 with Preacher, set in a contemporary version of the West. In the 1990s and 2000s, the Western comic leaned toward the Weird West sub-genre, usually involving supernatural monsters. However, more traditional Western comics are found throughout this period, from Jonah Hex to Loveless. Series like Desperadoes, High Moon, and Scalped demonstrate the genre's continuing appeal. Creators like Joe R. Lansdale, Michael Fleisher, and Tony DeZuniga were notable contributors to Western comics from this period.

In addition, publishers like America's Comics Group and AC Comics have reprinted a number of Western comics from the genre's "Golden Age."

Outside of the United States
The Western genre's overall popularity in Europe spawned a Western comics trend, particularly in Italy, France, Belgium, and England. Many European countries published reprints of American-made Western comics (translated into the respective country's native language). The Italian publishers Sergio Bonelli Editore and Editorial Novaro led the field — Editorial Novaro's Gene Autry title ran 424 issues from 1954–1984. The Swedish publisher Se-Bladene and the British publisher L. Miller & Son were also particularly known for their Western comics reprint titles. Se-Bladene's Texas ran 606 issues between 1954–1975. The Australian publishers Ayers & James, Cleland, Federal Publishing, Gredown, and Horwitz Publications all published reprints of American Western comics during the 1950s and 1960s.

Italy
The most popular and long-running Italian-produced Western comic is Gian Luigi Bonelli and Aurelio Galleppini's Tex (starring Tex Willer), first published in 1948. Tex is among the most popular characters in Italian comics, and has been translated into numerous languages, including Portuguese, Finnish, Norwegian, Turkish, Slovenian, Serbo-Croatian, and Hebrew.

Captain Miki, by the trio EsseGesse, was published in Italy (and translated into many other languages) throughout the 1950s. Characters in the comic were inspired by Gabby Hayes and the popular 1939 Western film Stagecoach. EsseGesse also produced the popular series Il Grande Blek. Benito Jacovitti's Cocco Bill is a Western humor comic produced since the mid-1950s.

Sergio Bonelli and Gallieno Ferri's Zagor was first published in Italy by Sergio Bonelli Editore in 1961. Carlo Boscarato and Claudio Nizzi's Larry Yuma was a popular character in the Italian magazine Il Giornalino throughout the 1970s. Giancarlo Berardi and Ivo Milazzo's Ken Parker is a popular Western hero appearing in Italian comics since 1977.

In the late 1990s and early 2000s, writer Gianfranco Manfredi's Magico Vento was a popular title from Sergio Bonelli Editore. Since the late 1990s, Enrico Teodorani's Djustine has been featured in erotic "Weird West" stories in Italy and the United States.

Franco-Belgian Western comics
The Western humor comic Lucky Luke, published since 1946, debuting in Spirou magazine, is one of the most popular and best-selling comics series in continental Europe. Popular in Canada, about half of the series' adventures have been translated into English. Lucky Luke comics have been translated into 23 languages, including many European languages, and some African and Asian languages.

Tintin magazine featured Western-themed comics starting in 1947 with Le Rallic's various series, and later, between 1955 and 1980 the humor-based Chick Bill by Greg and Tibet. Similarly, Spirou published Jijé's Jerry Spring beginning in 1954. Albums from the Jerry Spring series were published until 1990.

Jean-Michel Charlier and Jean Giraud's Blueberry is a Western series published beginning in 1963 and continuing until 2005. Charlier and Giraud created the Jim Cutlass series in 1981; subsequent volumes were written by Giraud and drawn by Christian Rossi.

Greg and Hermann Huppen's Comanche was published from 1972–1983 (with the series being continued by Rouge for four more stories). The Belgian publisher Le Lombard produced the title Buddy Longway, by Swiss comics creator Derib, from 1972–1987, and from 2002–2006.

Other countries
England's L. Miller & Son's original Western comics titles included Colorado Kid, Davy Crockett, Kid Dynamite Western Comic, Pancho Villa Western Comic, and Rocky Mountain King Western Comic, all published in the 1950s. Jim Edgar and Tony Weare's "Matt Marriott" was a daily strip which ran in the London Evening News from 1955 to 1977.

Spanish cartoonist Manuel Gago Garcia's The Little Fighter was a popular series of Western comics between 1945 and 1956. Yuki the Bold (debuting in 1958) is another popular Spanish series, as were the shorter-lived series Apache and Red Arrow. Other Spanish Western comics include Sheriff King (beginning in 1964), Sunday (1968), and Kelly Hand (1971).

Hugo Pratt and Héctor Germán Oesterheld's Sergeant Kirk was a popular Western comics title in Argentina during the 1950s. Additional Sargent Kirk stories were published into the early 1970s.

Hyung Min-woo's manhwa series Priest was published in Korea and the U.S. from 1998–2007.

Cowboy actor comics

 * Charles Starrett as the Durango Kid (Magazine Enterprises, 1949–1955)
 * Dale Evans Comics (DC, 1948–1952)
 * Gabby Hayes Western (Fawcett/Charlton, 1948–1957)
 * Gene Autry (Dell, 1946–1955)
 * Jimmy Wakely (DC, 1949–1952)
 * John Wayne Adventure Comics (Toby Press, 1949–1955)
 * Lash LaRue Western (Fawcett/Charlton, 1949–1961)
 * Monte Hale Western (Fawcett/Charlton, 1948–1956)
 * Rex Allen (Dell, 1951–1959)
 * Rocky Lane Western (Fawcett/Charlton, 1949–1959) — many issues featured Slim Pickens backup stories
 * Roy Rogers Comics (Dell, 1948–1961)
 * Six-Gun Heroes (Fawcett/Charlton, 1950–1965) — featured cowboy actors like Allan "Rocky" Lane, Lash LaRue, Monte Hale, Smiley Burnette, and Tex Ritter
 * Tex Ritter Western (Fawcett/Charlton, 1950–1959)
 * Tim Holt (Magazine Enterprises, 1948–1954)
 * Tom Mix Western (Fawcett, 1948–1953)
 * Western Hero (Fawcett, 1948–1952)— featured cowboy actors like Tom Mix and Monte Hale
 * Wild Bill Elliott (Dell, 1950–1955)

Contemporary titles

 * Desperadoes (Homage/Wildstorm, 1997–2002; IDW, 2005–2007)
 * Jonah Hex (DC, 1977–1985; DC/Vertigo, 2005–present)
 * High Moon (DC/Zuda, 2007–present)
 * Loveless (DC/Vertigo, 2005–2008)
 * Preacher (DC/Vertigo, 1995–2000)
 * Scalped (DC/Vertigo, 2007–present)
 * Weird Western Tales (DC, 1972–1980) — began in 1970 as volume two of All-Star Western

Sources consulted

 * Grand Comics Database
 * Grost, Michael E. "Western Comics," MikeGrost.com. Accessed July 4, 2011.
 * "Cowboy Comic Books - an Overview," The Old Corral. Accessed July 10, 2011.