East Village Other

The East Village Other (often abbreviated as EVO), was an American underground newspaper in New York City, New York, issued biweekly during the 1960s. It was described by The New York Times as "a New York newspaper so countercultural that it made The Village Voice look like a church circular."

Published by Walter Bowart, EVO was among the first countercultural newspapers to emerge, following the Los Angeles Free Press, which had begun publishing a few months earlier. It was an important publication for the underground comix movement, featuring comic strips by artists including Robert Crumb, Kim Deitch, Trina Robbins, Spain Rodriguez, Gilbert Shelton and Art Spiegelman before underground comic books emerged from San Francisco with the first issue of Zap Comix.

History
The East Village Other was co-founded October 1965 by Walter Bowart, Ishmael Reed (who named the newspaper), Allen Katzman, Dan Rattiner, Sherry Needham and John Wilcock. It began as a monthly and then went biweekly.

EVO was one of the founding members of the Underground Press Syndicate, a network that allowed member papers to freely reprint each other's contents.

The paper's design, in its first years, was characterized by Dadaistic montages and absurdist, non-sequitur headlines. Later, the paper evolved a more colorful psychedelic layout that became a distinguishing characteristic of the underground papers of the time.

Comics
Early EVO issues featured the work of Bill Beckman, Deitch and Rodriguez, soon adding other artists. The popularity of these strips led to the publication of separate comics tabloids, beginning with Zodiac Mindwarp by Rodriguez. During 1969, EVO published eight issues of Gothic Blimp Works, an all-comics tabloid with some color printing, billed as "the first Sunday underground comic paper." Vaughn Bodé was the founding editor, with early issues featuring work by Bodé, Crumb, Deitch, Robbins, Rodriguez, Spiegelman, Joel Beck, Roger Brand, Ron Haydock, Jay Lynch, Larry Hama, Michael Kaluta, George Metzger, Ralph Reese, Steve Stiles, S. Clay Wilson, Bernie Wrightson and Bhob Stewart (who became Gothic Blimp Works' second editor).

Comics historian Patrick Rosenkranz recalled his reaction to EVO:
 * I’d never seen a publication like this before. It was full of wild accusations and bawdy language and doctored photographs. It had President Johnson’s head in a toilet bowl. It had naked Slum Goddesses, truly bizarre personal ads, and a whole different slant on the anti-war movement than my hometown paper upstate. But best of all, it had the most outrageous comic strips. The continuing saga of Captain High; the psychedelic adventures of Sunshine Girl and Zoroaster the Mad Mouse; Trashman offing the pigs and scoring babes left and right. While I enjoyed many aspects of EVO, I liked the comics the most. Bill Beckman was one of the first cartoonists with his counterculture crusader Captain High, whose main mission was to get high and stay high. Beckman didn’t draw very well, but EVO’s readership could relate to the premise. Beckman contacted his buddy Gilbert Shelton from back at the University of Texas at Austin, who mailed in an occasional strip called Clang Honk Tweet!; Hurricane Nancy Kalish contributed a spacey, Aubrey Beardsley-style comic called Gentle’s Tripout. Others came and went without much notice until Walter Bowart commissioned Manuel “Spain” Rodriguez to draw a 24-page all-comic tabloid, which he published as Zodiac Mindwarp in 1966.

Kiss
The paper published another short-lived spin-off title, Kiss, a sex-oriented paper that was designed to compete with Al Goldstein's tabloid Screw.

Bowart bows out
At its peak, EVO had a 60,000 circulation. In 1968, Bowart departed, moving to Tucson, where he founded Omen Press, publishing metaphysical books. As 1971 drew to a close, publication of EVO became more and more sporadic. It faced mounting financial difficulties along with increasing staff losses, and the paper ceased publication forever in March 1972.