Theatrical release poster
Directed by Lambert Hillyer
Produced by Rudolph C. Flothow
Written by Victor McLeod
Leslie Swabacker
Harry L. Fraser
Based on Characters 
by Bob Kane
Bill Finger
Music by Lee Zahler
Cinematography James S. Brown Jr.
Editing by Dwight Caldwell
Earl Turner
Distributed by Columbia Pictures
Release date(s)
Running time 15 chapters (260 minutes)
Country United States
Language English

Batman is a 15-chapter serial, released in 1943 by Columbia Pictures. The serial starred Lewis Wilson as Batman and Douglas Croft as Robin. J. Carrol Naish played the villain, an original character named Dr. Daka. Rounding out the cast were Shirley Patterson as Linda Page (Bruce Wayne's love interest), and William Austin as Alfred the butler. The plot involved Batman—as a U.S. government agent—attempting to defeat the Japanese agent Dr. Daka, at the height of World War II.

The film is notable for being the first filmed appearance of Batman, and for debuting story details that became permanent parts of the Batman mythos. It introduced "The Bat's Cave", and its secret entrance through a grandfather clock inside Wayne Manor. Both departures subsequently appeared in the comics. The serial also changed the course of how Alfred Pennyworth's physical appearance would be depicted in later Batman works. At the time it was released in theaters, Alfred was overweight in Batman comics. After William Austin's portrayal in these chapter plays, subsequent issues of the comics portrayed him as Austin had: trim, and sporting a thin mustache. The serial was commercially successful, and spawned another, Batman and Robin, in 1949. It was re-released in 1965. The re-released version, called An Evening with Batman and Robin, proved very popular, and its success inspired the intentionally campy Batman television series (and its 1966 theatrical feature film spin-off) starring Adam West and Burt Ward.


Batman and Robin struggle against Dr. Daka, a Japanese scientist and agent of Hirohito who has invented a device that turns people into pseudo-zombies, and has a base in a Funhouse of horrors, in a Japanese area of the city. Daka makes several attempts to defeat the Dynamic Duo before finally falling to his death when Robin hits the wrong switch, opening a trapdoor to a pit of Crocodiles.



The film was made at the height of World War II, and like numerous works of popular American fiction of the time, contains anti-German and, in this case, anti-Japanese ethnic slurs and comments (in one scene, one of Daka's henchmen turns on him, saying, "That's the kind of answer that fits the color of your skin."). Early narration in the first chapter (minute 9:20-9:30), referencing the U.S. Government policy of Japanese American internment to explain the abandoned neighborhood of Daka's headquarters, sets the racial tone for the serial: "This was part of a foreign land, transplanted bodily to America and known as little Tokyo. Since a wise government rounded up the shifty-eyed Japs, it has become virtually a ghost street."

The film also suffered from a low budget, just like other contemporary serials. No attempt was made to create a bona fide Batmobile, so a black Cadillac was used by Bruce Wayne and Dick Grayson, as well as Batman and Robin. Alfred chauffeured the Dynamic Duo in both identities.

While many serials made changes during adaptation, to the extent that they were "often 'improved' almost out of recognition", Batman "fared better than most" and the changes were minor.[1] A normal limousine replaced the Batmobile, the utility belts are present but unused and Batman is a secret government agent in this serial instead of an independent vigilante. This last change was due to the film censors, who would not allow the hero to be seen taking the law into his own hands.[1]

Several continuity errors occur in the serial, such as Batman losing his cape in a fight but wearing it again after the film only briefly cut away.[1]

Press releases announced it as a "Super Serial" and it was Columbia's largest-scale serial production to date. The studio gave it publicity campaign equivalent to a feature film.[2]



Batman was first released in theaters on July 16, 1943.[3] In 1965, the serial was re-released in theaters as An Evening with Batman and Robin, in one complete marathon showing.[1][1][2] This re-release was successful enough that it inspired the creation of the 1960s television series Batman, starring Adam West and Burt Ward.

Home media

The serial was released on home video in the late 1980s in a heavily edited format that removed the offensive racial content. David Scapperotti, a reviewer for the magazine Cinefantastique, commented: "the revisions aren't surprising when you consider that Columbia is now owned by Japan's Sony Corporation. It appears that some of Daka's operatives escaped Batman's justice and were rewarded with positions at the new George Orwell department at Columbia. No doubt we can expect to see David Lean's Bridge on the River Kwai reissued as the story of a joyous Anglo-Japanese cooperative construction job interrupted by imperialistic American terrorists."[4] However, in 1989, the cable network The Comedy Channel aired the serial uncut and uncensored. The cable network American Movie Classics did the same in the early 1990s on Saturday mornings. Sony released the serial on DVD in October 2005 in an unedited version, with the exception of Chapter 2, which is missing its "Next Chapter" sequence and a shot of the villains listening to Bruce and Linda's conversation instead of robin being angry.

Columbia's two-disc set of Batman - The Complete 1943 Movie Serial Collection image and sound quality is varied. The first episode is an upscale of the previous VHS transfer: being depressingly grainy, slightly cropped off, and terminally contrasty in some scenes, such as the first establishing shot of Batman sitting at a desk amid a bunch of bats in the Bat Cave. The rest of the episodes were restored as much as possible, with the result being solid pictures and good sound.

The serial was also released on home movie formats in the 1960s and 1970s:

  • The 1960s: A silent abridged version. The complete serial was edited into six chapters (available in 8mm and Super-8) running 10 minutes each. A seventh three-minute reel titled "Batman's Last Chance" with action scenes was also issued.
  • The 1970s: The complete 15 chapter serial (in its original unaltered format) was released in a Super-8 Sound edition.

Critical appraisal

Stedman notes that the serial "gained good press notices" but "scarcely deserves them," going on to describe it as an "unintentional farce."[5] Harmon and Glut describe Batman as "one of the most ludicrous serials ever made" despite its "forthright simplicity."[1] It was, nevertheless, popular enough for a sequel, Batman and Robin (1949) to be approved.[1] Lewis Wilson's face resembled that of Bruce Wayne and he played his part with sincerity.

Some elements of the serial that have drawn particular attention from these critics are the casting of Lewis Wilson as Batman, while his face resembled that of Bruce Wayne and he played his part with sincerity they found his physique to be unathletic and "thick about the middle" and his voice was both too high and had a Boston accent;[5][6] both the actors and their stunt doubles lacked the "style and grace" of either the comic characters they were portraying or their equivalents at Republic Pictures;[1] both costumes are considered to be unconvincing in execution, and, although the Batman costume was based on his first appearance, it draws special criticism for being too baggy and "topped by pair of devils horns."[1][5][7]

Will Brooker points out in Batman Unmasked: Analyzing a Cultural Icon that, though the depiction of the Japanese characters is undoubtedly racist, Batman himself has little direct contact with them. However, when Batman does in fact finally meet Daka in the final episode (minute 10 of chapter 15), he immediately exclaims a racial slur ("Oh, a Jap!"). He soon after calls Daka "Jap murderer" and "Jap devil," and finally discusses a "Jap spy ring." Brooker surmises that these elements are likely to have been added as an afterthought in order to make the film more appealing to audiences of the time, and that the making of a nationalistic or patriotic film was not the filmmakers' original intent.[8]


An Evening with Batman and Robin was especially popular in college towns, where theaters were booked solid. The success of this led to the creation of the Batman series.[1][2] The breathless opening and closing narration of each chapter in this and other Columbia serials was to some extent the model that was parodied in the series.

The success of both the re-release and the subsequent TV series prompted the production of The Green Hornet. Originally a Radio Series from 1936–1953, it was also the basis of two movie serials in 1940. The 1966-1967 TV series was played as a straight action mystery series, "in the tradition of its former presentations," and was also very popular with audiences but lasted only one season due to significantly higher production costs. The failure of The Green Hornet led to the belief that similar revivals of serial properties were not possible in the television market of the time and no further series were produced.[2]

Chapter titles

  1. The Electrical Brain
  2. The Bat's Cave
  3. The Mark of the Zombies
  4. Slaves of the Rising Sun
  5. The Living Corpse
  6. Poison Peril
  7. The Phoney Doctor
  8. Lured by Radium
  9. The Sign of the Sphinx
  10. Flying Spies
  11. A Nipponese Trap
  12. Embers of Evil
  13. Eight Steps Down
  14. The Executioner Strikes
  15. The Doom of the Rising Sun



  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 Harmon, Jim; [[wikipedia:Donald F. Glut|]] (1973). "15. Last Chapter "The Final Chapter"". The Great Movie Serials: Their Sound and Fury. Routledge. pp. 368. ISBN 978-0-7130-0097-9. 
  2. 2.0 2.1 2.2 2.3 Cline, William C. (1984). "2. In Search of Ammunition". In the Nick of Time. McFarland & Company, Inc.. pp. 14–15, 25. ISBN 0-7864-0471-X. 
  3. 3.0 3.1 Cline, William C. (1984). "Filmography". In the Nick of Time. McFarland & Company, Inc.. pp. 235–236. ISBN 0-7864-0471-X. 
  4. Schoell, William (1991). Comic Book Heroes of the Screen. Carol Pub. Group. p. 71. ISBN 0-8065-1252-0. 
  5. 5.0 5.1 5.2 Stedman, Raymond William (1971). "5. Shazam and Good-by". Serials: Suspense and Drama By Installment. University of Oklahoma Press. pp. 129. ISBN 978-0-8061-0927-5. 
  6. Harmon, Jim; [[wikipedia:Donald F. Glut|]] (1973). "10. The Long-Underwear Boys "You've Met Me, Now Meet My Fist!"". The Great Movie Serials: Their Sound and Fury. Routledge. pp. 235–240, 243. ISBN 978-0-7130-0097-9. 
  7. Harmon, Jim; [[wikipedia:Donald F. Glut|]] (1973). "9. The Superheroes "Could Superman Knock Out Captain Marvel"". The Great Movie Serials: Their Sound and Fury. Routledge. pp. 222. ISBN 978-0-7130-0097-9. 
  8. Brooker, Will (2001) Batman Unmasked: Analyzing a Cultural Icon, Continuum

External links

Preceded by
The Valley of Vanishing Men (1942)
Columbia serial
Batman (1939)
Succeeded by
The Phantom (1943)

Template:Lambert Hillyer

Category:1939 films Category:Batman films Category:American World War II propaganda films Category:Columbia Pictures film serials Category:Black-and-white films Category:Films directed by Lambert Hillyer

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