| Breakdowns | |
|---|---|
| Creator | Art Spiegelman |
| Date | 1977 |
| Page count | 72 (2nd ed.) pages |
| Publisher |
Belier Press Pantheon Books |
| ISBN |
978-0-914-64614-3 (1 ed) 978-0-375-42395-6 (2 ed) |
Breakdowns is a collection of underground comic strips by American cartoonist Art Spiegelman. All the strips date prior to when Spiegelman started planning his graphic novel Maus, but the book includes a three-page strip called "Maus" (originally published in Robert Crumb's one-shot Funny Aminals) which presaged the graphic novel, as well as "Prisoner on the Hell Planet" (originally published in Short Order Comix #1) which was also reproduced in Maus. The original 1977 edition was subtitled From Maus to Now, and the expanded 2008 edition was subtitled Portrait of the Artist as a Young %@&*!.
Overview[]
The original 1977 edition was made up of short, experimental strips, some of which were autobiographical, made between 1972 and 1977. At that stage in his career, Spiegelman was more interested in the formal elements of the comics medium than in its content or storytelling aspects. He experiemented with and explored the relation of panels to each other on the page, pictorial manipulation, and how far one could take a story formally before it became incoherent. He parodied and paid homage to his cartoon heroes, notably Chester Gould's Dick Tracy, Rex Morgan, M.D., and Winsor McCay's Dream of the Rarebit Fiend.
The cover depicts Spiegelman drinking a bottle of India ink[1] over repeated variants of the same image. The title is written in shaky block letters, bringing to mind a psychological sort of breakdown, as well as of the visual sort.
Portrait of the Artist as a Young %@&*! (2008)[]
The expanded 2008 edition made use of a swirl or squiggle motif. The seemingly tossed-off squiggle is used in a variety of contexts. It is first introduced as the expression of surprise of the character on the cover slipping on a copy of the first edition of Breakdowns (rather than a clichéd banana peel). At other times it is used to represent the artist himself, or the squiggles he makes as a youth learning to draw.
Spiegelman depicts himself in the vest that has become synonymous with his image since Maus, in contrast to his appearance in the comics from the original Breakdowns.
Publication history[]
Breakdowns was originally published in an edition that sold less than 3000 copies, in 1977 by Belier Press as Breakdowns: From Maus to Now, collecting strips that had appeared between 1972 and 1977 in various underground publications, including Arcade, which Spiegelman had co-edited. Unusually for American comics at the time, it was published in hardcover.
It was republished by in an expanded edition Pantheon Books in 2008 and retitled Breakdowns: Portrait of the Artist as a Young %@&*!, with a new introductory comic and long afterward from which nearly doubles the length of the original book. When Spiegelman had been working on In the Shadow of No Towers, a book with many of the formal concerns of Breakdowns, his editor at Pantheon Books, Dan Frank, approached him to reprint Breakdowns.
Reception and legacy[]
The volume failed to capture a wide audience. Spiegelman says this indifference was the impetus to take on Maus.
References[]
- ↑ McGlothlin 2011, p. 45; Heller 2002, p. 46.
Works cited[]
- Blau, Rosie (2008-11-29). Breakfast with the FT: Art Spiegelman. Financial Times. Retrieved on 2012-04-18.
- Brodzki, Bella (2011). "Breakdowns and Breakthroughs: Finding Art in Young Spiegelman". In Chaney, Michael A.. Graphic Subjects: Critical Essays on Autobiography and Graphic Novels. University of Wisconsin Press. pp. 51–58. ISBN 978-0-299-25104-8. http://books.google.com/books?id=6N62vPp1KQcC.
- Heller, Steven (2002). The Graphic Design Reader. Skyhorse Publishing Inc. ISBN 978-1-58115-974-5. http://books.google.com/books?id=sI0dAZWJB7sC&pg=PT46.
- McGlothlin, Erin (2011). "Art Spiegelman and AutobioGRAPHICal Re-Vision". In Chaney, Michael A.. Graphic Subjects: Critical Essays on Autobiography and Graphic Novels. University of Wisconsin Press. pp. 45–50. ISBN 978-0-299-25104-8. http://books.google.com/books?id=6N62vPp1KQcC.
- Mercer, Nik (2008-10-24). Art Spiegelman, "Breakdowns: Portrait of the Artist as a Young %@&*!". Anthem Magazine. Retrieved on 2011-06-07.
- Weiner, Stephen (2003). Faster Than a Speeding Bullet: The Rise of the Graphic Novel. NBM Publishing. ISBN 978-1-56163-368-5. http://books.google.com/books?id=ctaEWnr9_YgC.
- Young, James E. (2003). "The Holocaust as Vicarious Past: Art Spiegelman's Maus and the Afterimages of History". In Glejzer, Richard R.. Witnessing the Disaster: Essays on Representation and the Holocaust. University of Wisconsin Press. pp. 23–45. ISBN 978-0-299-18364-6. http://books.google.com/books?id=jnuYJL7xfU8C&pg=PA23.
External links[]
- Review at The Guardian's website
- Review by Paul Gravett at The Independent's website
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