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Bringing Up Father
Bringing Up Father (January 31, 1920)
Author(s) George McManus
Current status / schedule Defunct
Launch date 1913
End date 2000
Alternate name(s) Jiggs & Maggie
Syndicate(s) King Features Syndicate
Genre(s) Humor

Bringing Up Father was an influential American comic strip created by cartoonist George McManus (1884–1954). Distributed by King Features Syndicate, it ran for 87 years, from January 12, 1913, to May 28, 2000.

Many readers, however, simply called the strip "Jiggs and Maggie" (or "Maggie and Jiggs"), after its two main characters. According to McManus, he introduced these same characters in other strips as early as November 1911.[1]

Characters and story

The humor centers on an immigrant Irishman named Jiggs, a former hod carrier who came into wealth in the United States by winning a million dollars in a sweepstakes.[2] Now nouveau-riche, he still longs to revert to his former working class habits and lifestyle. His constant attempts to sneak out with his old gang of boisterous, rough-edged pals, eat corned beef and cabbage (known regionally as "Jiggs dinner") and hang out at the local tavern were often thwarted by his formidable, social-climbing (and rolling-pin wielding) harridan of a wife, Maggie, their lovely young daughter, Nora and infrequently their lazy son Ethelbert later known as just Sonny.

The strip deals with "lace-curtain Irish", with Maggie as the middle-class Irish American desiring assimilation into mainstream society in counterpoint to an older, more raffish "shanty Irish" sensibility represented by Jiggs. Her lofty goal—frustrated in nearly every strip—is to bring father (the lowbrow Jiggs) "up" to upper class standards, hence the title, Bringing Up Father. The occasional malapropisms and left-footed social blunders of these upward mobiles were gleefully lampooned in Vaudeville, popular song, and formed the basis for Bringing Up Father.[3] The strip presented multiple perceptions of Irish Catholic ethnics during the early 20th century. Through the character Jiggs, McManus gave voice to their anxieties and aspirations. Varied interpretations of McManus's work often highlight difficult issues of ethnicity and class, such as the conflicts over assimilation and social mobility that second- and third-generation immigrants confronted. McManus took a middle position, which aided ethnic readers in becoming accepted in American society without losing their identity.[4] A cross-country tour that the characters took in September 1939 into 1940 gave the strip a big promotional boost and raised its profile in the cities they visited.[5]

Jiggs and Maggie were generally drawn with circles for eyes, a feature more often associated with the later strip, Little Orphan Annie.

Origin and sources

McManus, who numbered Aubrey Beardsley among his influences, had a bold, clean-cut cartooning line. His strong sense of composition and Art Nouveau and Art Deco design made the strip a stand-out on the comics page.

McManus was inspired by The Rising Generation, a musical comedy by William Gill that he had seen as a boy in St. Louis, Missouri's Grand Opera House, where his father was manager. In The Rising Generation, Irish-American bricklayer Martin McShayne (played by the fat Irish comedian Billy Barry in the stage production McManus saw) becomes a wealthy contractor, yet his society-minded wife and daughter were ashamed of him and his lowbrow buddies, prompting McShayne to sneak out to join his pals for poker. McManus knew Barry and used him as the basis for his drawings of Jiggs. McManus' wife, the former Florence Bergere, was the model for daughter Nora.

One of McManus' friends, restaurateur James Moore, claimed he was the inspiration for the character Dinty Moore, the owner of Jiggs' favorite tavern. James Moore changed his name to Dinty and founded a real-life restaurant chain. The restaurant owner, however, did not begin the successful line of Dinty Moore canned goods marketed today by Hormel.

A surreal running gag throughout the strip, always removed from the main action of the story, involved hanging wall paintings that "come to life", with subjects often "breaking the fourth wall", escaping the confines of the picture frames, or changing position from panel to panel within the same strip. None of the nominal stars of the strip ever seemed to notice the animated figures, or anything unusual happening on the walls in the background directly behind them.

Comics historian Don Markstein wrote about McManus' characters:

On January 12, 1913, he debuted Bringing Up Father, about an Irishman named Jiggs, who doesn't understand why his ascension to wealth via the Irish Sweepstakes means he can't hang out with his friends, and his nagging, social-climbing wife, Maggie. The strip was an instant hit, possibly because of its combination of an appealing cast of characters with a unique look of art-nouveau splendor... Before McManus died, in 1954, Bringing Up Father made him two fortunes (the first was lost in the 1929 stock market crash). By that time, Jiggs's Irishness had faded—the new generation saw him as just a rich guy that liked to hang out with a regular crowd.[6]

An uncredited script collaborator on the strip was McManus' brother, Charles W. McManus, who was 61 when he died August 31, 1941. He also had his own comic strips in the 1920s, Dorothy Darnit and Mr. Broad.[7]

Topper strips


"Rosie's Beau" (May 29, 1938)

In 1913, Rosie's Beau was McManus' Sunday page, and he later revived it as a Sunday topper strip above Bringing Up Father. On April 17, 1938, an absent-minded character named Sir Von Platter in Rosie's Beau realized he was in the wrong place and climbed down into the first panel of Bringing Up Father, arriving in the living room of Maggie and Jiggs.[8]

In 1941, McManus replaced Rosie's Beau with Snookums (itself a revival of a 1900's McManus strip, The Newlyweds, now focused on their son, the titular character) which ran as the topper above Bringing Up Father until 1956. In the final episode of HBO's The Pacific (2010), Robert Leckie (James Badge Dale) is seen reading Snookums. The Pacific is partially based on Leckie's book, Helmet for My Pillow (1957), but there is no mention of Snookums in Leckie's book.


Between 1935 and 1954, McManus' assistant Zeke Zekley made a major contribution to the strip in both writing and art. When McManus died in 1954, the strip continued with other artists, including Bill Kavanaugh and Frank Fletcher. Within the cartoonist community, it was expected that Zekley would take over the strip, but instead King Features replaced both McManus and Zekley with Vernon Greene. With Greene's death in 1965, Hal Campagna stepped in, and Frank Johnson (Boner's Ark) replaced Campagna in 1980. The strip's popularity faded, and Bringing Up Father limped along until its 87-year run came to a close on May 28, 2000.

In 1995, the strip was one of 20 included in the Comic Strip Classics series of commemorative US postage stamps. Bringing Up Father went digital in 2007 when King Features made the strip available as one of the selections in its DailyINK email package.

International syndication

Bringing Up Father still enjoys popularity in Norway; known as Fiinbeck og Fia, the strip has been published weekly in the family journal Hjemmet since 1921; a yearly Christmas book with the strip is published every year since 1930, in the last few decades mostly reprints of material produced by McManus in the 1940s and 1950s. A similar publication was also an annual event (from 1931 to 1977) in Sweden, where the strip is known as Gyllenbom. In Turkey, the strip was published daily by Hürriyet until the late 1990s under the name Güngörmüşler (The Worldly-wiseds) with Jiggs renamed to Şaban and Maggie renamed to Tonton (darling).

Maggie and Jiggs in other media


thumb|180px|Maggie and Jiggs in a scene from the 1914 play Gus Hill's production of Bringing Up Father opened on Broadway in 1914, with music composed by Frank H. Grey, lyrics by Elven E. Hedges, libretto by John P. Mulgrew and Thomas Swift, choreography by Edward Hutchinson, and directed by Frank Tannehill, Jr. Hill produced many more theatrical versions of the strip that toured the country, including Bringing Up Father in Florida, Bringing Up Father on Broadway, Bringing Up Father in Ireland, Bringing Up Father Abroad, and Bringing Up Father in Wall Street.

Bringing Up Father at the Seashore opened on Broadway at the Manhattan Opera House in 1921, but closed after 18 performances; a revised version reopened in 1928. Another of Hill's productions of Father opened at the Lyric Theatre in 1925. "Reportedly, this version had Maggie following a fleeing Jiggs from Ireland to a yacht headed for Spain, but the story was halted frequently for various Vaudeville acts. The show closed after 24 performances," according to The Holloway Pages' history of the strip.[9]

Sheet music

  • By the Susquehanna Shore (from Bringing Up Father, 1914)
  • Bringing Up Father on Broadway (1919) Songs include: The Lotus Club Rag; Dry Those Tears; The Fair Irene; All for a Girl
  • I'm Longing for a Pair of Irish Eyes (from Bringing Up Father in Florida, 1920)
  • Bringing Up Father in Wall Street (1921) Songs include: Rose of My Heart; Somebody's Darling Boy; When That Mobile Boy Sings the Memphis Blues; The Wonderful Way You Love; I'm Free, Single, Disengaged; Looking for Someone to Love; There's No Fool Like an Old Fool; My Dixie Rose; Million Dollar Smile; Just One Little Smile
  • Bringing Up Father Song Book (1922) Songs include: Sweet Southern Lullaby; Dear Old-Fashioned Mother; China Doll
  • They'll Never Bring Up Father 'Till They Tear Down Dinty Moore's (1923)


[[wikipedia:File:Bringingup531128.jpg|right|thumb|250px|An example of Zeke Zekley's work as assistant to George McManus on Bringing Up Father and the Snookums topper strip (November 28, 1953) during the last year of McManus' life|]] The following are silent animated cartoons based on Bringing Up Father, all produced by International Film Service and released through Pathé Exchange:

  • Father Gets into the Movies (1916)
  • Just Like a Woman (1916)
  • A Hot Time in the Gym (1917)
  • The Great Hansom Cab Mystery (1917)
  • Music Hath Charms (1917)
  • He Tries His Hand at Hypnotism (1917)
  • The Stimulating Mrs. Barton (1918)
  • Father's Close Shave (1918)
  • Jiggs and the Social Lion (1918)

Two-reel shorts

A series of live-action silent comedies featured comedian Johnny Ray as Jiggs and Laura La Plante as Maggie. Directed by Reggie Morris, these were produced by International Film Service and released through Pathé Exchange. Confusingly enough, a couple of the titles were duplicated from the earlier cartoons. This series included:

  • Jiggs in Society (1920)
  • Jiggs and the Social Lion (1920)
  • Jiggs' Close Shave [aka Father's Close Shave] (1921)

Comic books

  • Bringing Up Father was a feature of David McKay's King Comics title from No. 60 to No. 135 (1941–1947)
  • Jiggs and Maggie Standard Comics (11 issues, 1949–1953)
  • Jiggs and Maggie Harvey Comics (6 issues, 1953–1954).


Sponsored by Lever Brothers, the Bringing Up Father radio series aired on the Blue Network from July 1 to September 30, 1941, starring Mark Smith (1887–1944) as Jiggs and Agnes Moorehead as Maggie. Neil O'Malley also portrayed Jiggs. Their daughter Nora was played by Helen Shields and Joan Banks. Craig McDonnell (1907–1956) was heard in the role of Dinty Moore. The 30-minute program aired Tuesdays at 9pm.[10]

Feature films


Panel from Bringing Up Father (January 7, 1940)

The following feature-length movies were based on the strip:

  • Vihtori ja Klaara (Finland, 1939) The first sound comedy based on the strip, although the characters are speaking Finnish; directed by filmmaker Teuvo Tulio.

The last entry produced four sequels, all released by Monogram:

The series was discontinued due to the death of Joe Yule in March 1950. (Yule is the father of Mickey Rooney, who expressed interest in reviving Jiggs onstage in the late 1980s. Both Martha Raye and Cloris Leachman were considered for the part of Maggie, but the project was never produced.)

Collections and reprints

  • (1919–1934) Cupples & Leon produced 26 semi-annual daily strip reprints in softcover books measuring 10" x 10".
  • (1926) They also published two larger, hardcover editions; Bringing Up Father: The BIG Book, and
  • (1929) Bringing Up Father: BIG Book No. 2
  • (1936) Whitman Publishing released Bringing Up Father: A Big Little Book
  • (1973) Charles Scribner's Sons published a hardcover anthology, Bringing Up Father: Starring Maggie and Jiggs. ISBN 0-517-16724-7
  • (1977) Hyperion Press released a reprint volume in their "Hyperion Library of Classic American Comic Strips" series, available in both hardcover and paperback editions.
  • (1986) The Celtic Book Company released Jiggs Is Back, a full-color, 64-page oversized trade paperback of Sunday strip reprints. ISBN 0-913666-82-3
  • (July 2009) NBM reprinted the first two years of the daily strip as part of their "Forever Nuts" series: Forever Nuts Presents: Bringing Up Father. ISBN 1-56163-556-1
  • (November 2009) IDW Publishing's "Library of American Comics" imprint reprinted the cross-country tour storyline that ran from January 1939 to July 1940 as Bringing Up Father: From Sea to Shining Sea, the first of several "best of" reprint collections. ISBN 1-60010-508-4
  • (April 2013) Bringing Up Father: Of Cabbages and Kings, IDW Publishing's "Library of American Comics second volume, collecting strips from 1937 and 1938. ISBN 978-1-61377-532-5

Parodies and guest appearances

right|thumb|260px|This 1941 Dell comic featured reprints of 1936–38 strips.

  • In issue 17 of Mad, Harvey Kurtzman's story "Bringing Back Father", illustrated by Will Elder and Bernard Krigstein, depicted Jiggs as the victim of domestic abuse, bruised and bleeding after physical assaults by the domineering Maggie, who has struck Jiggs with thrown kitchen utensils and crockery.[11] When Kurtzman died in 1993, slides from this parody were shown by Art Spiegelman at Kurtzman's memorial service in the Time-Warner building.
  • In his book In the Shadow of No Towers, Spiegelman drew himself as Jiggs and his wife as Maggie. He also included a reprint of a Bringing Up Father Sunday strip.[12]
  • In the comic strip Arlo and Janis (March 17, 2006), Jiggs is invited to the home of Arlo and Janis for corned beef and cabbage in honor of the day. He enjoys himself immensely, and entertains his hosts with his stories, jokes and witticisms. Everyone has a happy St. Patrick's Day.
  • In Marvel Comics' Power Pack, Jiggs is the King of Elsewhere and receives a visit from Katie Power. Maggie is the Queen, wiser and more powerful than the King.[13]
  • Jiggs and Maggie renew their friendship with Walt Wallet in Gasoline Alley, by Jim Scancarelli, April 30, 2013.


  1. Goulart, Ron, editor. The Encyclopedia of American Comics. Facts on File, 1990.
  2. Merwin, Ted. "In Their Own Image", Rutgers, 2006.
  3. William H. A. Williams, "Green Again: Irish-American Lace-Curtain Satire," New Hibernia Review, Winter 2002, Vol. 6 Issue 2, pp 9–24
  4. Kerry Soper, "Performing 'Jiggs': Irish Caricature and Comedic Ambivalence Toward Assimilation and the American Dream in George Mcmanus'S 'Bringing Up Father'", Journal of the Gilded Age and Progressive Era, April 2005, Vol. 4#2, pp 173–213.
  5. "Big Deals: Comics’ Highest-Profile Moments," Hogan's Alley #7, 1999
  6. Markstein, Don. Toonopedia.
  7. "Brother of George—Idea Man for 'Bringing Up Father' Cartoon". The New York Times, September 1, 1941.
  8. Inge, M. Thomas. Anything Can Happen in a Comic Strip: Centennial Reflections on an American Art Form. University of Mississippi Press, 1995.
  9. The Holloway Pages: Bringing Up Father page
  10. Dunning, John. On the Air: The Encyclopedia of Old-Time Radio. New York: Oxford University Press, 1998. ISBN 0-19-507678-8.
  11. Mad 17
  12. Spiegelman, Art. In the Shadow of No Towers.
  13. Marvel, Power Pack, Volume 1, number 47, July 1989. Script by [[wikipedia:Jon Bogdanove|]].


External links

Category:1940s American radio programs Category:American comic strips Category:Comic strips started in the 1910s Category:Comic strips ended in the 2000s Category:Art Deco